Zamm, A., Debener, S., Sebanz, N. (2021). Learning to take turns together: The spontaneous emergence of rhythmic coordination. DOI: 10.5072/zenodo.949188

Grahn, J., Matke-Bauer, A-K-R., Zamm, A. (2021). Is neural entrainment to rhythms the basis of social bonding through music? [Commentary on "Music as a coevolved system for social bonding" by Savage et al.]. Behavioral and Brain Sciences. DOI: 10.1017/S0140525X20001296

Zamm, A., Palmer, C., Bauer, A.K.R., Bleichner, M.G., Demos, A.P. & Debener, S. (2021). Behavioural and neural dynamics of interpersonal synchrony between performing musicians: A wireless EEG hyperscanning study. Frontiers in Human Neuroscience. DOI: 10.3389/fnhum.2021.717810

Zamm, A., Debener, S.. & Sebanz, N. (2021). Distinct rhythms of joint and individual action: Evidence from an auditory sequence production paradigm. Proceedings of the Annual Meeting of the Cognitive Science Society, 43. Retrieved from https://escholarship.org/uc/item/0v0464w3


*Denotes joint first authors.

Zamm, A., Debener, S., Konvalinka, I., Sebanz, N., Knoblich, G. (2020). The Sound of Silence: An EEG study of how musicians time pauses in individual and joint music performance. Social Cognitive and Affective Neuroscience. DOI: 10.1093/scan/nsaa096

Mathias, B.*, Zamm, A.*, Gianferrara, P., Ross, B., Palmer, C. (2020). Rhythm complexity modulates behavioral and neural dynamics during auditory-motor synchronization. Journal of Cognitive Neuroscience. DOI: 10.1162/jocn_a_01601.


Scheurich, R., Demos, D., Zamm, A., Mathias, B., Palmer, C. (2019). Capturing inter- and intra-brain dynamics with Recurrence Quantification Analysis. Proceedings of the 41st Annual Conference of the Cognitive Science Society. Retrieved from https://cogsci.mindmodeling.org/2019/papers/0468/0468.pdf

Zamm, A., Palmer, C., Bauer, A.-K. R., Bleichner, M.G., Demos, A.P., & Debener, S. (2019). Synchronizing MIDI and wireless EEG measurements during natural piano performance. Brain Research. DOI: 10.1016/j.brainres.2017.07.001.


Zamm, A., Wang, Y., & Palmer, C. (2018). Musicians' natural frequencies of performance display optimal temporal stability. Journal of Biological Rhythms, DOI: https://doi.org/10.1177/0748730418783651.

Scheurich, R., Zamm, A., & Palmer, C. (2018). Tapping into rate flexibility: Musical training facilitates synchronization around spontaneous production rates. Frontiers in Psychology, DOI: 10.3389/fpsyg.2018.00458


Kominsky, J., Zamm, A., Keil, F. (2017).  Knowing when help is needed: Developing a sense of cognitive complexity. Cognitive Science. DOI: 10.1111/cogs.12509

Palmer, C., Zamm, A. (2017). Interactions in ensemble music performance: Empirical and mathematical accounts. To appear in Routledge Companion to Embodied Music Interaction (M. Lesaffre, P.-J. Maes, & M. Leman, Ed.). London: Routledge Press. DOI: 10.4324/9781315621364


Zamm, A., Wellman, C., Palmer, P. (2016).  Endogenous rhythms influence interpersonal synchronization. Journal of Experimental Psychology: Human Perception and Performance. DOI: 10.1037/xhp0000201.


Zamm, A., Palmer, C., Pfordresher, P. (2015).  Temporal coordination in joint music performance: Effects of endogenous rhythms and auditory feedback.  Experimental Brain Research. DOI: 10.1007/s00221-014-4140-5.


Zamm, A., Schlaug, G., Eagleman, E., Loui, P. (2013).  Pathways to seeing music: Enhanced structural connectivity in colored-music synesthesia.  NeuroImage 47, 359-366. DOI:  10.1016/j.neuroimage.2013.02.024.


Loui, P., Zamm, A., Schlaug, G. (2012). Enhanced functional networks in absolute pitch.  NeuroImage 63, 632-640.  DOI:  10.1016/j.neuroimage.2012.07.030.

Loui, P., Zamm, A., Schlaug, G. (2012).  Absolute pitch and synesthesia: Two sides of the same Coin? Proceedings of the 12th International Conference on Music Perception and Cognition, Thessaloniki, Greece. Retrieved from https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3596158/



Music-making brings us together during the coronavirus pandemic